![]() Robinson understood Women in Love as a great tragic novel which Leavis, giving preferential weight to the Birkin and Ursula story, reads too affirmatively. 1 Dean also notes an earlier critique of Leavis by Ian Robinson who saw Leavis himself as in a state of denial with respect to tragedy. Eliot on the question of tragedy: Lawrence’s anti-tragic, life-affirming stance was Leavis’s criterion by which to criticise Eliot’s religious commitment as vitiated by a flinching from life. Leavis’s use of Lawrence as a counter to T. ![]() David Farmer, Lindeth Vasey and John Worthen (Cambridge: Cambridge University Pr (.)ġ In a recent article Paul Dean has examined F.
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